Disclaimer: High-Gloss Psychodrama with Weaknesses

Alfonso Cuarón ventures into the realm of premium TV experience with his latest project "Disclaimer," placing emphasis on cinematic expression. Yet, despite its ambitious orientation, the enjoyment of his work lingers between sophisticated drama and consumable entertainment. This psychological network of relationships, adapted from Renée Knight's novel, unfolds the far-reaching consequences of a fleeting affair in a stylized-provocative production that often oscillates between artful and clumsy. Cuarón, responsible for directing and screenplay, shows a keen eye but is frequently hampered by his own ponderous approach. The inconsistency of the presentation is partly offset by the performance of Cate Blanchett, who plays documentary filmmaker Catherine Ravenscroft. When she discovers a secret from her past in the form of a mysterious novel, her life begins to falter. Alongside her, husband Sacha Baron Cohen struggles in vain for understanding, while Kevin Kline, as Stephen Brigstocke, a retired teacher plagued by losses, weaves his fate with that of Catherine's past. "Disclaimer" oscillates between a grieving and vengeful way of life, while flashbacks reveal the dense weave of emotions. The constant narrative shift challenges viewers to consider personal narratives and the impact of stories on perceptions. The work touches on themes such as marital tensions and obsessive emptiness, but leaves little room for interpretation. Despite the suspenseful premise, there is a sense that the project's greater potential remains untapped.